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The Confidant (1942) by Paul Jacoulet, from the Manchurian Princesses series, colour woodblock print

The Art of Paul Jacoulet

Paul Jacoulet (1896-1960) was born in Paris, but spent most of his life in Japan. There is confusion around his birthdate as official public records state 1896, but it is recorded on his tombstone as 1902. He moved to Japan at a young age, following the appointment of his father as a French professor at the University of Foreign Studies in Tokyo. The artist is particularly known for his sensitive and colourful portrayal of the people of Asia and the South Pacific islands that he created during the first half of the 20th century. …

The Rise and Fall of the Samurai

Tokyo National Museum loaned over 80 objects to a travelling exhibition devoted to the art of the samurai in 2009, which explored the art and aesthetics of samurai culture in Japan. The collection in focus dates primarily to the Edo period (1603-1868) with many pieces classified as Important Cultural Property and National Treasures and shows the accomplished level of society, education, and skills developed by the samurai from the 10th to 19th centuries…

 

Articulated dragon by Myochin Muneakira, dated 1713 (Shotoku 3), Edo period, iron, length 143.5 cm, Tokyo National Museum

Torii Gate, Nikko Tosho-Gu Shrine, circa 1870-1875, various photographers, albumen photographs, gift of Edith and Alexander Kaye and partial museum purchase, Dayton Art Institute

Early Japanese Photography

Two exhibitions, one in the US and one in the Netherlands, explore how Japan was documented with photography in the 19th century. Looking for Japan at the Dayton Art Institute shows how photography recorded and shaped perceptions of Japan during the transformative Meiji period (1868-1912), a time of great political, social, and cultural change. As traditional institutions gave way to new political and social structures and many aspects of Japanese culture underwent modernisation…

 

Elements of Beauty

This exhibition brings together more than 40 of Kitagawa Utamaro’s (circa 1753-1806) most celebrated works, all drawn from the Art Institute of Chicago’s collection. While his subject, beautiful women, had been a mainstay in ukiyo-e from its beginning, Utamaro invested his subjects with a fresh vibrancy, experimenting with dramatic close-ups that hint at the women’s complex inner lives…

Ohisa of the Takashima Tea Shop, circa 1793, colour woodblock print, ink and colour on paper

Asian and Islamic Works of Art

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The latest shows from around the world

GALLERY SHOWS
  • THE MAGIC OF EXPLORATION

    THE MAGIC OF EXPLORATION

    From biennials and triennials to art summits, fairs, and cultural tours  – countless art events now dot the globe and compete for attention and …Read More »
OBJECT OF THE MONTH
FROM THE ARCHIVE
  • Wang Keping

    Wang Keping

    The Rodin Museum invited Wang Keping to take over the sculpture garden as his studio during May and early June. The project is a …Read More »
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