0 Item in Basket

£0.00

View My Basket

Get The Latest Issue Now!

FEBRUARY 2012 ISSUE

FEBRUARY 2012FEBRUARY 2012
A Fragile Heritage, China Counts its Lost Ruins

January 2012January 2012
A Chinese Conundrum: Hong Kong Sales Slow Down

NOVEMBER 2011NOVEMBER 2011
Hong Kong Autumn Sales: Reading the Mixed Messages

OCTOBER 2011OCTOBER 2011
Museum der Kulturen Basel Opens After Refurbishment

September 2011September 2011
Cover: World Heritage List New Sites

JUNE 2011JUNE 2011
Thai Border Clashes Continue Around Preah Vihear Temple

View all Back Issues

SUBSCRIBE TO ASIAN ARTS NOW!

The Asian Art Newspaper covers all the major international exhibitions, auctions and events. To keep you informed of what's happening in the world of Asian art today.

In Association with Amazon.co.uk

THROCKMORTON FINE ART

Cowan Auctions

THE TURKISH ROOM IN DRESDEN

Preparing the Turkish Room. A trial assembly of the largest Ottoman state tent, 20 x 8 x 6 m, in June 2009. All images copyright Rustkammer


When the Turkish Room (Türckische Cammer) opens in Dresden’s Residenzschloss this month (March), it will have created an extraordinary space to display the permanent orientalcollection in the former palace of the electors of Saxony. Furthermore, the collection has not been on public display in full for over 70 years.

 

The room that links the State Apartments in the west wing of the palace to this new exhibition has also been specially created as an area devoted to Johann Georg Spiegel’s visit to Istanbul on behalf of August the Strong. In 1714, Spiegel (the valet of August the Strong), brought horses and camels, as well as numerous purchases and gifts from Turkey to Dresden. The purpose of the visit being to both purchase objects on behalf of the king and to conduct a diplomatic mission. These recorded items remain one of the most important collections of Ottoman art in existence today.

A second room houses early acquisitions of oriental works of art dating from the 16th to 17th centuries, ranging from the era of Sultan Suleyman 1 (1520-1566), until the Treaty of Karlowitz in 1699. A highlight of the collection are the imperial gifts presented in 1602, 1617 and 1620, along with ceremonial weapons dating from the same period, which were produced in European workshops that imitated the oriental style.

The main room of the Turkish Room, a long gallery, contains the largest number of Ottoman objects, mostly dating from the period of August the Strong and supplemented by acquisitions from the late 18th and 19th centuries. Some of the most striking exhibits on show are two ornately decorated tents, the larger of which is 20 mlong, 8 m wide and 6 m high. August the Strong portrayed himself in Saxony and Poland as the ‘Conqueror of the Turks’ (although this was not always the case) and numerous functions were embellished with oriental artefacts and the addition of janissaries and ‘moors’ to emphasise this role. As August theStrong did not acquire much booty of his own – and the then-existing collection was not enough to provide all the props for his lavish ceremonies – he sent several envoys to Turkey to purchase exotic objects, such as the tents,costumes, ceremonial objects and horse paraphenalia. A high point for this fashion for  ‘all things Ottoman’ was the marriage of Friedrich August 11 of Saxony (his son) to Archduchess Maria Josepha (a daughter of the Emperor) in 1719.  Throughout this period the list of tributes come not only from the Saxon and Polish nobles, but also from Sultans of the Ottoman empire, Tatar Khans and even the Russian Tsar.

The artefacts housed in the Turkish room have existed as a separate collection within the Rustkammer (Armoury) since the last decade of the 16th century.  In 1587, Elector Christian 1 was presented with oriental gifts by the Grand Duke of Florence and the Dukes of Mantua and Savoy. However, the earliest recorded mention of the name of the Turkish Room dates from 1614 – with the first independent inventory being produced in 1674.

The interest in the smallest, mundane aspects of  life in the Ottoman Empire can also be seen in the collection, in the existence of four, folding leather drinking vessels. Ordinary objects, which have not been preserved in any other collection, but allow the visitor a rare chance to seeobjects from every-day life that are normally disgarded, which only gain value and interest as time passes and their rarity increases.

Turkische Cammer, Residenzschloss, Taschenberg 2, Dresden, Germany, www.skd.museum


 

Related Images (Click related image for enlarged version)

1: Preparing the Turkish Room. A trial assembly of the largest Ottoman state tent, 20 x 8 x 6 m, in June 2009. All images copyright Rustkammer
2: Interior of the roof section of a two-pole tent, Ottoman, before 1714, Rustkammer. Photo: Hans-Peter Klut/Elke Estel. Copyright Rustkammer, Staatliche Kunstsammlungen Dresden
3: Part of the trial assembly for the large Ottoman tent in June 2009
4: Saddle, Ottoman, before 1714. Photo: Hans-Peter Klut/Elke Estel. Copyright Rustkammer, Staatliche Kunstsammlungen Dresden
5: Sabre with scabbard, blade Ottoman, 16th century, guard and scabbard later 17th century, reworked by G.Ch. Dinglinger, Dresden, 7121
6: Kaftan, Ottoman or Polish, before 1703, Rustkammer

Enjoy this article?

Then why not subscribe to Asian Arts for only £45 per year (Published 10 times a year - No issues July and August), or for even better value £80 for 2 years. (Click subsciptions for other rates)

Subscribe to Asian Arts Now!

Subscribe Now